Now and then, when people ask what I do for a living and I tell them I write books, they act as though this is some amazing thing that makes me somehow immensely special. I’ve taken to simply rolling with that. I’m not sure I buy it. I think what I used to do was actually more challenging and took more training and more skill. For some reason it doesn’t strike me as all that clever that I write books. In part, I think, that stems from the sense of having pulled some great con trick on life so I get to do this thing that I largely greatly enjoy and somehow scrape a living out of it.

Now and then I also meet people who assume that being a writer equates with being rich. I’d laugh except it still hurts too much (stupid infection)

So far this year, then, work has consisted of the following:

• Copy-editing and proof-reading various manuscripts coming out this year. Totally about 550k words.

• Two proposals (unpaid) written for series of novellas / short stories. One has turned into a contract, one hasn’t and probably won’t.

• Editorial revision of a ghost-written piece of about 100k words

• Manuscript delivered for editing (The Splintered Gods, 210k words)

• Speculative manuscript delivered (title TBA historical fiction, 80k words – kinda hopeful this one will sell)

• Speculative manuscript delivered (SF, 100k words – no idea if this will sell)

• Half a manuscript delivered for editing (BigSekkrit SF, 40k words)

So that’s 430k words delivered so far this year. For reference that’s about equivalent to A Storm of Swords.

The rest of the year is going to consist of:

• Another manuscript delivery (Empires: Extraction 80k words)

• Two novellas delivered (announcement soon, 30k words each)

• Editing The Splintered Gods and BigSekkrit

• One more speculative manuscript bashed into shape for delivery of about 120k

• Starting work The Silver Kings or something else.

Which will bring the word count up to about 700k for the year, consisting effectively of three contracted novels and three speculative ones. In order to make ends meet this year, one of those speculative ones needs to sell for something more than a bottom-of-the-range advance. That’s to keep a family of four going who have fairly low overheads but with a penchant for an occasional extravagance.I guess if I was single without dependents I could get by on half that. And then it’s a different game again, I suppose, if you have a second income from somewhere.

In order to do this, I’m sat in front of a laptop working for 5-6 hours of almost every day of the year.

Don’t take this as a gripe in any way – I work a fairly average number of hours every week, I get to do it wherever I can take a laptop at whatever time of day I feel like and I’m largely beholden to no one doing a job that I largely enjoy. My point – my only point – is that for most of us, it’s not the lazy life of sex and mojitos that some people seem to think, dammit.

News updates will be rare and far between for a while. See you at Fantasycon.

Intended Wordcount: 120k

Actual Wordcount: 204k

Intended hours of effort: 300 hours

Actual hours of effort: more like 500 hours (so about two full months more than it was meant to be)

Number of characters inherited from The Adamantine Palace: 2

Number of  dragons inherited from The Order of the Scales: 1

Number of Adamantine Men: 1

Number of characters inherited from The Warlock’s Shadow: 1

Number of unusually polite assasins: 3

Number of people burned by dragons: lots

Number of times the words lightning and/or rocket appear: 172

Number of times the words flower and/or hippy appears: 4

Number of times I had mis-spelled lightning as lighting before I went through and manually checked every single damned instance: 23

Number of primary human characters: 6

Number of primary human characters who are overtly non-Caucasian: 3

Number of primary human characters who are overtly old: 2

Number of primary human characters who are overtly female: 2

Number of primary human characters who are overtly old, female and non-Caucasian: 1

Number of primary human characters who are revealed as shape-shifting sentient lemons from another world: 0

Number of times the word lemon appears: 2

Number of people disintegrated by the wrath of an angry god: 5

Make of that what you will. I am particularly pleased with this one, but then I think I’ve felt that about every book I’ve finished, so perhaps best not to read too much into that.

Back to working on the edits for The King’s Assassin and the proof of The Black Mausoleum.

The big bad news, unfortunately, is that the publication date for The Black Mausoleum has slipped from May to August. This is entirely my fault for having done basically all of the work and then sending the wrong draft back to Gollancz and not noticing for a month. This late in the day everything’s on a tight schedule and so now that it has to go back a couple of steps there’s not enough time to have the book ready for May. My bad. Sorry. I will try and make it up to anyone readers here over the next few weeks with some interviews with some of the characters and some free books.

Bad author. BAAD author.

Speaking of publication dates, if anyone (like me) thought that The King’s Assassin was coming out in August, think again. October, and that’s probably what it always was. So far so good on that one, barring any wrong-draft cock-ups :-!

And then Dragon Queen. I’ll let Zafir say some words about that in a few days but it’s on its last spit and polish before submission and still on track for May next year. Beyond that, the first book of the myserious Sodium Hydride project is going through almost its last rewrite, the second book has a good first draft and with a bit of luck all three will be done and dusted by the end of summer and then I’ll be looking for something new to do.

Which is why I’m writing pitches.

On a laptop. In bed. Eating pizza at the same time.

Damn this writing is hard work…

UPDATE: Some new reviews I forgot, all from Pauline’s Fantasy Reviews.

“a whole heap of rip-roaring fun and no mistake.” (The Adamantine Palace)

“the second best opening I’ve ever encountered after ‘Tigana’” (The King of the Crags)

“The dragons are brilliant…” (The Order of the Scales)

Obviously I pick the highlights. Fine, look, it’s already a done deal that the next set of deagon books will have a) more time invested in fewer characters b) a few more sympathetic ones and c) OK, OK, I’ll ease back on killing them.

So what’s up for this year:

February 7th: The Order of the Scales comes out in the US and (I think) in France. The dragons made it to a couple of best-of lists again this year – over at the Ranting Dragon and an honourable mention at the bottom of the Wertzone Awards. You read these two pages, you realise what a lot of great fantasy we had last year.

April: The Warlock’s Shadow comes out in small form. I feel kind of sorry for the thief-taker and his boy – they haven’t taken off quite like the dragons did, but I love them just the same. The third book, The King’s Assassin,has been delivered but there won’t be any more in this series, not directly. However, as the Enormous Crocodile would say, I have secret plans and clever tricks…

May: Not sure of the dates, exactly, but The Black Mausoleum comes out around this time and I’m supposed to be delivering Dragon Queen. Dragon Queen is is going to be a bit different. And a bit bigger. Most of it is set in the world of the Taiytakei, but currently there are parts set in the dragon-realms, a part in Deepwater and some parts in Tethis, the centre of the action in The King’s Assassin. I say currently because it’s still in work, but Skyrim or otherwise, I shall make it my resolutino this year to deliver this one on time. Much more character-focussed than the first three books, this one. I hope.

Summer: Allegedly, all three volumes of the Memory of Flames come out in Germany, one each month. More news on that when I actually know.

The project-about-which-I-shall-not-speak is also supposed to be delivered. That’s more of a self-imposed deadline than anything else. More, er… Skyrim prone, that one. Three Sodium Hydride manuscripts before the summer holidays and I’ll be happy.

It’s also possible that The King’s Assassin will come out in August. Or maybe October. It’s delivered, that’s all I can say for sure so far.

Something might happen in Poland at some point. Chances are I’ll heart about it long after the event. In fact, all sorts of things might happen in the last third of the year. I’m hoping for some rather more exciting (for me at least) news for the back end of the year, but it’s an unceratin world and an uncertain profession, this authoring lark. Appearances at conventions and so forth might be a bit thin on the ground this year due to circumstances beyond my control (and not Skyrim, really really) but I’ll do as much as I can.

Anyway, happy new year, and I raise a glass to all you dragon-lovers! Cheers!

Thing is, though, Siff knows something. He knows something that might just change the fate of the world and right now, any change at all is looking like a good thing. So Kataros has to get him out, so he can show her what he’s found, and never mind that he’s likely going to stab her in the back the first chance he gets. To get him out, she needs Skjorl, even if the Adamantine Man would rather stab himself than help someone like Siff, and that’s only the start of what he’d do to her, given the chance.

And then there’s the dragon. The dragon doesn’t hate any of them. It’s a dragon. It simply wants to eat them.

The Black Mausoleum. Someone’s going to die.

Submitted this week.

King of the Crags hit the Ranting Dragon’s best of 2010 list! Hurrah!

Now what?

OK, it’s not the final cover, which won’t have the quote from Joe on it. But I’m an impatient man and bored of waiting for the final cover art (pokes editor gently with a stick. But only gently because I’ve just missed a deadline…)

WHAT? MISSED A DEADLINE? WHAT KIND OF AUTHOR DOES THAT?

A very shame-faced one in this case, because it’s all my own fault. All I can say to anyone else out there who might one day find themselves in the same position is DON’T assume the manuscript you wrote six months ago is ‘fine and just needs a bit of touching up’ and leave looking at it again until a month before it’s due for submission.

The good(ish) news is that The Warlock’s Shadow will only be about two weeks late on my editor’s desk, at which point I can go back to poking him with a large stick instead. About things like THE FINISHED COVER ART FOR ORDER OF THE SCALES,DAMMIT! (although actually, we should all feel a little sorry for the man, as he’s had to pick up a load of extra authors on top of the too much work he already had, and I dare say a lot of them are every bit as annoying as I am).

In more dragony news, the rewrites for Order of the Scales are going fine and the first complete draft for The Black Mausoleum is now sitting on my laptop. Hmmm. Won’t put off those rewrites quite as long with this one.

There are some other changes coming for 2011. I’m thinking of some slightly different content. I’ll try not to be boring, but, tempting as it is to go into detail as to whether the VAT is or isn’t a regressive tax, frankly I’m not that interested, and I suspect that goes the same for most of the people who actually read this. And it would be a huge piece of work. And then we’d get into arguments that would drag on for ages, and I’ll disagree with you about stuff you believe in passionately because the foundations of almost every argument made either way are built on the sand of dodgy statistics, and if there’s one thing that really gets my goat, it’s dodgy statistics… There, see, ranting already!

<Runs off. Has cold shower. Comes back>

No. Expect the occasional post about Star Wars, gaming, and how five-year-old children absolutely understand Munchkin in a way it takes a mature adult years to learn.

Finally, 2010 ended with a couple of rather nice reviews for King of the Crags, anticipating (perhaps) its forthcoming US release.

“Stephen Deas has combined all that’s good in fantasy and spun it around in a thriller-paced tale that will leave you breathless.” The Ranting Dragon.

“Prince Jehal … is brilliant. One of the most complex, twisted and ultimately human characters I’ve read … When I think back over what I’ve read this year … I’m hard pressed to find one I enjoyed more than this one.” SF Crowsnest

Happy New Year!

Roughly, the way it works is that I read the manuscript, chapter by chapter, and get stopped every seventeen-and-a-half seconds to be told that I’ve now used the word effervescent twice in living memory and why is one of my characters explicitly walking slowly in one sentence and then observed to be moving quickly in the next (fortunately allowing me to simply skip the next sentence in which they dismount from the horse they never actually had in the first place). Often there is a little coda, along the lines of ‘that chapter’s quite good’ or ‘that was a bit long’ or the dreaded ‘Meh. OK I guess,’ which means it isn’t.

As you can imagine, sometimes this can mean that reading through a chapter, even one of mine, can take quite a long time. I’d been mentally thinking of it as extreme editing, since we really do pick apart the manuscript line by line sometimes. However, I understand from several of my fellow authors that extreme editing is already taken and refers to re-writes carried out while free-climbing the Tsaranoro Massif or hiding inside a cave somewhere on the border between Pakistan and Afghanistan. My version takes place curled up somewhere warm and cosy and usually involves either hot chocolate or hot and sour soup. Not all that extreme really.

Admittedly, what comes to mind when I think ‘emergency editor’ is the emergency pilot from Airplane! but that just. . . No, just let’s not go there.

So next time you put down a book and revel in the buzz of just how good it was, spare a thought for the beta-readers, the emergency editors, the unpaid (I’d say unsung, but I guess they’re often among the names credited in the this-novel-would-never-have-existed-if-it-wasn’t-for bit that I never used to read up to a few years ago (please tell me I’m the only one) helpers who do it for the love. And the chocolate. And the soups. And maybe an episode of Dexter every 2-3 chapters, but still, mostly for the love.

(You can follow my muse, my better half, my emergency editor and many other things, the gorgeous and heroic @adamantine_lady, on Twitter. Just, for the love of Planck’s Constant, don’t say anything bad about Name of the Wind. Meanwhile The Warlock’s Shadow has been moved out of theatre and into intensive care).

The Order of the Scales is with my editor for editing. Eventually it will come back. Some form of rewrite will occur. Then there will be copy-editing, another (minor) rewrite and then the proof-reading (during which I probably won’t change the ending this time).

The Warlock’s Shadow is probably one spit-and-polish rewrite away from being ready to be sent to my editor.

The King’s Assassin exists as a complete first draft. It’s a bit rubbish at the moment, needs at least one major rewrite, but it’s recognisable as a complete story and largely the one that will appear in print one day.

The first draft of The Black Mausoleum is, er…. started.

Now all of that’s probably not very interesting unless you’re my editor, but I think I’ve declared that I’ve ‘finished’ at least two of them at some point in the past. Which might have made sense in the context in which it was said, but does make me wonder what an author actually means when he or she says something is finished.

Is it when the first draft is complete? All the creative hard work is done, after all, and the rewrites are just touching up, right? Well I used to think that, but no, sometimes rewrites involve taking large chunks, throwing them away and replacing them with new large chunks. So no, first draft is NOT finished. Kind of obvious when you stop to think about it.

Maybe a more generally accepted ‘finished’ is when something is submission-ready; when an author genuinely thinks they’ve finished and have something that’s ready to go to print. No author would submit if they didn’t think that, right? Right? I mean, we wouldn’t do it just because it was ‘well, mostly done anyway’ and we were aching for that next advance cheque, right? And editors don’t generally change much, do they? Do they? They don’t for example, take your 200,000 word manuscript and advise you to throw away 185,000 words of it and build a new novel around the remainder? They wouldn’t do that, would they?

Yes, they would. In fact they delight in it. If something was always ‘finished’ when it was submitted, editors would be a bit pointless. If we can’t say we’re finished until we’ve satisfied our editor, you might as well throw in the copy-edit as well. Changes here are supposed to be more about the structure of sentences and paragraphs than about scenes or entire acts, but that’s not to say it can’t happen. You can throw in the proof-reading too.

Even once a book is in print, typos still get found and corrected for subsequent editions. If you’re strict with your definitions, maybe a book is finished when it’s permanently out of print. Although maybe by then it’s almost finished in a different way.

In order to eradicate such confusion, I propose the following taxonomy of ‘finished’s

Done: I have written a first draft that seems fine right now, but will bear little resemblance to the final published story.

Sorted: I have written the second draft that apparently needs just a little spit and polish to be complete, but will still bear little resemblance to the final published story.

Poobah-poobah<unnecessary scene>: I truly and utterly believe I have completed the finest work of fiction ever beheld. Every word is a polished jewel of inspiration. I am merely giving this to my editor so I might revel in his gasps of admiration and delight. I am a Hephaestus among word-smiths, whose creative genious will evolve my readers to higher planes of thought.

Finnished: I have taken my editors many and oft sarcastic comments in my stride. I have also taken both the appropriate calming medicines and the necessary remedial action. Although I will never publicly admit this, it’s probably better than it was.

Really Finnished: I have finished the copy-edit and it is perfect. Now leave me alone.

Finished: I have done the damn proof-reading and removed the fucking typos. I never want to see this book again.

So, for future reference, and just so we all know what we’re talking about, The King’s Assassin is Done, the Warlock’s Shadow is Sorted, and Order of the Scales is Poobah-poobah<unnecessary scene>. There. Isn’t it all much clearer now?